I’m writing while I sit by my husband’s bed awaiting his back surgery.
I’m writing while I drive home late at night.
I’m writing when I get up at 3 a.m. to let the cat in. Or out.
I’m writing when it looks like I’m reading. Or spacing out. Or chopping vegetables.
Because, for me, writing doesn’t look like writing until the last 10 percent.
“Genius is 10 percent inspiration and 90 percent perspiration.” — Thomas Alva Edison
Writing — for me — is like that, too, sort of. It’s all in my head until the last bit, which is writing it down (on paper or screen). I don’t sit at my desk and wonder what will come. I write all the time, and then sit down and let it out.
And that’s about all I have to say. Tomorrow I have an essay to write. A chapter to finish. Some poetry that is weeping my name.
Worksheet from Martha Alderson’s “Plot Whisperer” workshop with Jordan Rosenfeld: Writer Path.
You’d think I had other things to do, but I just reread this how-to and wanted to share some thoughts while they were still fresh in my mind. I’m a great re-reader of books (see last Monday’s blog), and needed a kick in the pants this month to get me back on track with my revisions. Herewith, my review of SK’s On Writing: A Memoir of the Craft.
Stephen King began writing his book on the craft of writing to delve into the language and show fledgling writers something about how it’s done, or how he does it, anyway. Midway through the manuscript, he was gravely injured in a well-publicized accident and almost died. That experience shapes the rest of the book and gives the ultimate section of On Writing a particularly poignant tone. This section was serialized in The New Yorker, and those who haven’t read it already may turn directly to it with good cause: King’s story is powerful personal drama. But turn back to the beginning for an equally powerful, if much lighter, look into King’s development as a writer.
In the first section, “C.V,” King mines his memory for early glimpses of the evolving writer, in hilarious tidbits. King is not the pop-horror hack that many of his critics claim him to be; in On Writing, King is on his game: intelligent, bluntly honest, profanely funny. He tells how he came to succeed as a writer and what mistakes he’s made along the way, including an alcohol and drug problem that nearly cost him his marriage. In the center section, “Toolbox,” King gives the nuts, bolts, and how-tos of writing, none of which are unexpected nor too revelatory. His advice is mostly practical: “Avoid bullshit,” he says, among other bons mots. As a how-to-write book, you could do worse, or better, than this one. As a peek into the King psyche and wit, On Writing is a must-read.
* * *
On Writing: A Memoir of the Craft
by Stephen King
Scribner 2000
$25.00 288 pages
ISBN 0-684-85352-3
I know I wrote on this topic about six months ago, but I’m working on new things, so I said yes to the invitation to share my WIP. I was invited by Laurie Baxter (click here to visit her blog post). Thanks, Laurie!
What is your working title of your book (or story)? Veronika Layne Has a Nose for News: #2 in the Hot Off the Press Series
Where did the idea come from for these books?
I wanted Veronika to have some more adventures, of course, but my friend Woody Minor told me a true story about a local Victorian house that possibly had Gold Rush coins hidden in the walls. I took that idea and ran with it.
What genre do your books fall under?
Veronika is a mystery. My Hot Off the Press series is suspenseful and romantic, but closer to NA mystery than anything else. You could also call them chick-lit but NA (New Adult) is the preferred term these days.
What is the one-sentence synopsis of your book?
Veronika Layne chases a story about a Hollywood real estate house flipper, mysterious gold coins, and why someone is buying up old houses on San Pedro Island.
Will your book(s) be self-published or represented by an agency? Booktrope, a hybrid publisher, is representing my Veronika Layne series, as well as Tongues of Angels.
How long did it take you to write the first draft of your manuscript?
I wrote this quickly, as a NaNoWriMo project — thirty days! But revisions took quite a bit longer. I revised for several months after that. it’s a short book, just 50,000 words, so it goes fast, both reading and writing.
What other books would you compare this story to within your genre?
I think you can compare Veronika Layne Has a Nose for News with anything that Dick Francis wrote — it has the same steeped-in-her-occupation as Francis’s jockeys or other MCs. You could also compare Veronika with Bridget Jones, for getting into sticky situations and feeling like a flop.
Who or what inspired you to write this book?
My friend Woody gave me the idea, but I have been nurturing Veronika Layne inside of me for some time. She has the characteristics of my daughters — smart, feminist, fun — with the shrewd journalist I longed to be. She has some of my insecurities but she hasn’t yet attained wisdom. I’m enjoying watching her grow as a woman and as a reporter.
I also included a character named Flo who was a real-life sweet friend and neighbor of ours who painted beautiful florals and still lifes. I have several of her paintings. The story about Flo is mostly true. Here’s some of the real Flo’s work:
I still miss Flo today, and was happy I could include her in this sub-plot about a talented artist who acts as Veronika’s surrogate grandmother. These paintings are in my office and I see and love them every day.
You know how it feels when your child attempts to do something, and you know it’s going to be difficult, but you stand back and watch her struggle anyway? And maybe she’s not so successful? And then she tries again, a few years later, and struggles, and is still not completely successful? You cheer her on no matter what, even though you have the gut feeling that she might not make it?
That’s what it has felt like with my first novel, Tongues of Angels. This novel, TOA for short, was my creative thesis in grad school. My poor thesis advisor read it at least three times, and it was a ghastly 500 pages long at the time. I feel for her, I do. I pitched the novel to agents and to more agents, and got lots of maybes but no yeses. I took chunks of it to writing conferences and got a pat from Jane Smiley and a hug from Michael Cunningham, and I had a long correspondence with Ron Hansen in which he encouraged me to push onward.
I workshopped it and book-doctored it, had alpha readers give it thumbs up – and a librarian at the university took it home to read over Christmas break and showed it to her brother who’s a screenwriter in Hollywood. The novel became a story treatment that went the rounds, including landing on Salma Hayek’s lap. I have a check for $1 that is my movie option. If someone bought it I would have received $40,000.
And then – I got divorced, and putting food on the table for my three girls became priority number one. I struggled for a couple of years as an editor at two different weekly newspapers; at the latter one, the Alameda Sun, the owners decided that we should put out some books, to broaden the reach of the publishing company. Who had a book that was ready for prime time? I did. Scarlet Letter Press launched its first book with Tongues of Angels, but in order to broaden the distribution they decided that iUniverse would be the best bet for getting onto Amazon and around the world.
So we did that. Online selling was not huge yet, and ebooks were just a blip on the radar. The book sold some hundreds of paperback copies but not millions. The reviews were very good. The press was outstanding. I did several readings throughout California and got excellent coverage. But I spent most of my time trying to get independent bookstores to carry it, and when they would carry it, would they please pay me? I am still owed, to this day, hundreds of dollars from indie bookstores that never paid for their books.
Ten years later, in 2013, I was in a coalition of independent writing women and we were all publishing amazing work. The indie movement had taken off, had rocketed into the stratosphere, and I got myself a Kindle and had a revelation. Let’s redo TOA with a new cover and try it as an indie! A fantastic designer, Chelsea Starling, redid the cover for the 21st century, and away we went. Reviews were still excellent, and then I got picked up by Booktrope and they were delighted to republish my older books. They wanted TOA in their stable. So I sent this little baby back through the channels again – same cover, re-edit, proofing, and now, back into the world for a third time.
Is the third time the charm? Maybe.
Here’s the synopsis:
A lifelong vow. A Catholic priest with questions. A penitent woman with a secret past. A jealous friend. The fourth in this lover’s knot? God. A true love story that shocked the Catholic Church, and pulled back the curtain on the priesthood.
Average 4 ½ stars on Amazon.
And here’s what the critics said:
David Baker, Snapshots of A Marriage: “As erotically compelling as the Song of Songs.”
Dan Barnett, Chico Enterprise-Record: “Sexually charged: I was struck by [Park Tracey’s] lush, hothouse, erotic style.”
Christa Martin, Santa Cruz Good Times: “Tongues of Angels swings open the doors to the Catholic Church, lifts up the chasuble and exposes what’s underneath…Her novel talks about all the things [they] hope we won’t talk about.”
Kelly Vance, East Bay Express: “Hot under the collar…A scandalous yarn.”
Jordan Rosenfeld, Forged in Grace: “Julia Park Tracey brings wicked honesty and scathingly hot prose to this soulful novel; with crackling nuance, she seduces readers. Tongues of Angels is both sexy and spiritual.”
Here’s my new friend Michelle Chouinard, a blogger who has thrown herself into the world of writing, and has set for herself some attainable goals. What she says here? Do it! …….
Today I thought I’d share with you one of the best pieces of writing advice I’ve ever read, and why I think it works. I found it about a year ago in one of Lawrence Block’s books about writing; there are several, all useful, but this one snippet has been the most helpful thing I’ve found in them: Do five things every day to move your writing forward.
Hang out with your writer friends! Women from the “To Live and Write in Alameda” celebrate the end of NaNoWriMo together.
What five things? Well, that’s up to you. But do five things, every day, no matter how big or small.
One of those things should be writing, of course. We all know we should write every day. Another of those things should probably also be reading: how lucky are we that we’re in a profession that forces us to read prolifically! Twist my arm, why don’tcha?
But the others are more flexible. Make a new connection on twitter. Read an article about writing on your favorite blog. Spend half an hour researching agents. Look for relevant pins to add to your character board on Pinterest. Have lunch with a fellow writer, to get those creative juices flowing. And so on, and so on.
They should be different things, of course. Don’t write five pages of your book and declare yourself done. Don’t friend five new people on Twitter and go have a snack. Each of these count as one thing.
The things you do will differ depending on where you are currently–if you already have an agent, researching agents doesn’t make sense. If you’ve just had a book published, several of these things will probably involve book promotion. Just make sure to do five, every day.
Why is this so important?
Speaking for myself, I’m the sort of person who would happily crawl into a little cozy writing cave for six months and have no contact with the human race. My significant other would throw me scraps of food and come in for a cuddle now and then, but that would be it and I’d be happy as dust on a tchotchke.
And when I came out of my cave, I’d have lost half of my social media contacts because everyone would have thought I’d gone all Snake Plissken. I’d have missed a ton of new books and interesting articles, which I’d be too overwhelmed to catch up on after the fact. And any interesting prompts or discussions that might have made my writing better would never have crossed my path. I would have also lost valuable time trying to get my other projects out into the world.
It takes time to get things submitted, find an agent, get a book/article/story published; we all know this. You don’t just finish a piece, say “Woohoo!” and flick the “publish now” switch. While you’re sending out those letters and working through the rejections to get to the acceptances, you should be writing your next book/article/story. These things take far too much time to do in a fully linear, non-overlapping way. At least if you want to be successful and have enough money to pay the rent.
I would have also lost valuable time building my platform, something that’s becoming increasingly important for aspiring writers. Blog readers and Twitter followers don’t develop over night, and they don’t take kindly to being neglected for long. At least the ones that involve actual people that you actually want to connect with. Just like a plant, you can’t water them only once every six months and expect them to grow.
And maybe most important of all, while I was in that cave writing, the part of my brain that thinks about all this stuff gently in the background while I work would have had no input. Yep, it’s true, the brain works on problems and processes information even when we’re not thinking about it. Things we’ve read, seen, and done recently prime concepts and knowledge in our minds, keeping it all activated and ready for use when it’s needed. So when we do a variety of tasks over time, we keep our minds efficiently processing whatever particular task we’re focusing on at the moment.
So try it out. Sometimes I’m not as good as other times at remembering to do all five — sometimes I only do a few, and sometimes I crap out altogether. So I’ve created a simple spreadsheet to jot down which things I did each day–this lets me know if I’m slacking off too much for too long, and reminds me to revisit things that I haven’t touched for a while. You know how it is — “Gee, it seems like only a week since I compiled that list of prospective agents, but it’s been a month! I better follow up on that.”
Thank you, Lawrence Block, for the amazing advice. So far, it has served me well, and I have every confidence it will continue to do so. Now where’s my next installment of Matthew Scudder??
