How is This Possible? Coincidences and Other Disasters
I spend a lot of my time howling the cosmic yawp into the blue beyond. It looks, to mortal eyes, like I’m making lunch and beating a deadline and running errands and remembering to put out the trash cans. But I assure you, a goodly portion of every day is given over to caterwauling (mostly in my inside voice but not always) on the WHY of everyday living. The WHY of how did we get here? The WHY of how can X be happening?
I’m old enough to know better. I am hitting that midpoint in life. I have successfully raised 4.9 kids (just 1 year left on #5). We have a retirement plan (sort of). We own our cars (not new ones, God, no!). We’ve traveled around the world a bit (more when single than together) and we’re not on our first marriage (to each other, yes. In total, no.).
So you can bet that I don’t believe in fairy tales, magick, the Virgin birth. I do, however, believe in Something. It’s just too random that my husband and I met when we were both at the nadir of our love lives. I find Something in the spectacle of my own resurrection after that hairy divorce when I was a shadow of my ex, a skeleton of who I was and had yet to become, up to now, when I feel fully fledged and mighty as Aphrodite on steroids.
I have worked as a journalist for some 30 years now, writing poetry and short stories and a novel or two between times, trying to write the one story that was true. Reaching for Hemingway’s One True Thing. I have almost had it once or twice. Missed it by *that* much.
I was talking with my very elderly Aunt Doris about four years ago, telling her about my new story idea. I want to do a sort of “Diary of Anne Frank,” but a fictionalized version. Tell that teen girl’s story in a different way. Be in her shoes. Tell it sideways. Something like that. I told my aunt this on the phone, knowing I would see her the next day, and she encouraged me, as she always did, with alacrity. “Oh, that sounds wonderful,” she said. The next day I drove 70 miles to her house to see her, but she was gone. Still breathing, but the essence of her had slipped down, underwater, to where I couldn’t reach her anymore, and though I talked and talked to her, she wasn’t really there. We never spoke again.
So we held her memorial and sprinkled her ashes and cleaned her house, and my mother handed me a heavy old box of letters and journals. I took them home for later, feeling heavy myself, and wondering at the why, the how, the WTF of it all. We cleaned her house, and I brought home her desk, her martini glasses, her car. I slipped a ring onto my finger that had once adorned hers. I had her glasses remade with my prescription and one day opened that box. The diaries were there.
A few months later, I began typing up the diaries. I posted them on Twitter and Facebook, talked about it on the radio, made friends and followed trails back some 90 years. I’ve been working on this project for four years now; The Doris Diaries, her words, the diaries of a teen girl. Telling her story in a different way. I’ve slid into her shoes, a little sideways.
I’m not sure of the why. I only know that there’s truth here. I don’t know the right questions to ask, but the answers are somehow here anyway. It’s Something. Something I can’t explain.
Julia Park Tracey is an award-winning journalist, author, and blogger. She is the author of "Veronika Layne Gets the Scoop" and "Veronika Layne Has a Nose for News" (rep'd by Booktrope). She is the Poet Laureate of Alameda, California. She's also the conservatrix of The Doris Diaries, the diaries of her great-aunt Doris Bailey Murphy. Her articles have appeared in Thrillist, Quill, Paste, San Francisco Chronicle, and in many magazines; her latest poetry appears in The East Bay Literary review.