Turbulence

It was a long day that began very early in my cozy bed with cats and husband, and alarm ringing at 3:30 a.m. The aircraft had a mechanical issue that added almost an hour to our wait time on the tarmac, and was followed by a bumpy ride, and steeplechase through Dallas-Fort Worth’s huge airport, and barely a bathroom stop before sliding into my seat on the last leg to Birmingham. The first leg was so bumpy I dry-swallowed a Xanax and it hit me in time to keep me from clawing my seat-mate as we rumbled above brown Texas, green Louisiana and Mississippi, and red Alabama. I don’t enjoy flying, and I had started the adventure with my anxiety at a 9.5 and was above 11 the rest of the day. Or twenty-11. Anyhoo, no, I did not drink a thing. It was still (too early in the) morning for a long, long time. Also, yes, I wore my mask all day. I was a lone masker in a sea of naked faces.

I found myself listening to a couple of playlists for self-soothing, and when the one I call Ebullience (for joy, excitement, energy) ended, it started up the playlist I call Rage, which has a lot of Beyonce/Lemonade in it. I put that list together after Austin died, and I needed something to accompany me as I ran, or tried to run, and get myself to do the 5K. (I only made it to a 3K, but it was still a triumph for couch-potato me.)

Nevertheless, I enjoyed listening to Queen Bey, and then the Allman Brothers came on, “Tied to the Whipping Post,” and I took a deep dive into hearing this white man/men singing about how their broken hearts were the same as the unfree being scourged into raw meat or to death. It’s a song with a lot of rage in it, and I had added it to the list for that reason back in 2019 when I was feeling a lot of rage about Austin’s suicide. But it struck me completely differently on this trip, flying right over the former slavery states of Texas, Louisiana, Mississippi, and Alabama. White dude with a broken heart just doesn’t get to compare his sad day with the brutality, the enormity of 400 years of state-sanctioned violence. It is this thoughtless kind of action that I hope to purge from myself–this kind of ignorant, nonchalant racism, where a song that sounds like fun turns out to be a sick anthem. It’s hard to say goodbye to pieces of art or artists who we once admired, but if the message is toxic? It’s time for me to release my enjoyment of Southern rock (headbanger that I used to be) and try a little harder. Pay a little more attention.

Growth doesn’t come when you sit in the same chair and eat the same boogers, my friends.

Hitting the Road

Old letters and photos, sepia-tones and showing age, with an old ink pen.

I am heading out on Tuesday to the East Coast, via the Deep South, to New England, following the course of our family history back through time. I’m starting roughly where we left off with slavery, in Alabama, and working my way backward through Georgia, South and North Carolina, up to Virginia; Maryland and D.C., then up via train to Boston and the Cape. We will end up at the Mayflower II, if all goes well.

Accompanying me are my elder sister and a cousin, both of whom share my family history, and who were willing to come along for the ride. We are also planning to stop to see some bucket list places, including Chincoteague (PONIES!), Mount Vernon, Gettysburg, and a side trek to visit my brother-in-law in Maryland.

This will add several states to my list, and we are hoping to go bird-nerd crazy (my sister is an excellent birder). I already downloaded the Merlin bird packs for Southeast and Northeast USA to my phone. It is my fondest wish to see a red cardinal somewhere, some time. (Our mutual grandmother Ruth loved cardinals best, and knew them well from her Illinois and Montana childhood. I’ve never seen one.)

Red cardinal bird on the ground.
Courtesy of eBird, https://ebird.org/species/norcar
I’ve never seen one, but I hope to.

My plan is to stop at graveyards to visit ancestors, find their headstones, say hello, what were you thinking, how have you been? We would stop at houses if we could find them, but most of them are gone. There is the ruin of a mansion supposedly haunted by one of our Upshaw forebears, bitten by a rabid fox and smothered by her own servants (enslaved). We will find the plantation lands if possible, and I’ll take photos and see what it looks like now, maybe visualize what they were seeking when they stopped there. The journey has its dark side–but it’s part of my personal reconciliation and reckoning. I very recently joined Coming to the Table, an organization that helps white people reckon with and bear their ancestors’ past slave-owning. Reckon with it, because it is a story many people want to forget or rewrite. Bear it, because there is no reconciling it. Reckon — like recon, to know again, it means to count again, to account for. It’s what I’m trying to do.

Maybe it will just be a fun roadtrip. Or maybe it will change my life. I used to be terrified to travel, because when you leave your safe space (home), bad things can happen. There’s no control. #issues I have mostly grown past that, but once a Catholic, always a Catholic, even when you’re an atheist-pagan, like me. I slipped this little St. Christopher into my coinpurse because I need all the good luck and blessings I can muster.

Round silver medal of St. Christopher held in the palm of a white woman's hand.

I’m still packing. Trying not to be nervous. Mostly excited. Cemeteries and history and cousins, oh my!

The Ugly Truth: Sins of the Forefathers

A few years ago I picked up a book at the library because of its intriguing cover and title. It was Edward Ball’s Slaves in the Family. I read about Ball’s exploration of his roots, delving deeply into his family’s history as slave owners, discovering the ugly truth in his own backyard, as it were. When I finished reading this devastating portrait of Ball’s own family, it took weeks before I could read anything else. My mind was full of the revelations and secrets he had exposed.

Old Mary
The photo is one of very few African-Americans, possibly a former slave, taken my my grandfather Rae Bailey while visiting family in Georgia in 1924. His caption: “Old Mary — bilin’ clo’s, chile.”

Not long after, I was visiting my 93-year-old great-aunt Doris, and we turned to the topic of books. I told her about Ball’s story and offhandedly remarked, “Wow, I’m sure glad we didn’t have slaves in the family. I couldn’t live with that kind of guilt.”

“Oh, but we did,” she said.

To say that I was speechless is an understatement. Doris explained how she remembered hearing about the nine slave cabins “we” had had, a few generations before her in Alabama. She did not say slaves – just slave cabins, mind you – but there’s no getting around this one with semantics. She remembers hearing stories about them, as part of her childhood. She even brought out some very grainy photos, shadowy cabins in shadowy fields, and said, “Those are the ones.” Our slave cabins. Lovely.

Needless to say, that conversation knocked the wind out of me. It is mighty difficult to be smug and complacent about one’s own liberality when one has that kind of stain on one’s hands.

What I felt for weeks, months – for years now, in fact – is repugnance and shame. I felt tainted and helpless to do anything about it. Are the sins of the fathers visited upon the generations to follow? Is there karmic retribution for such deeds? Is there anything that can be done about my own relentless Catholic guilt, pure and simple? I didn’t know then, and I still don’t now.

But it’s a thing I live with – this knowledge that back in my family’s history there are people people who were monsters with no morals whatsoever — or people who were caught up in the mores and practices of their time. Were they confused, or stupid or evil? Or keen entrepreneurs? Or hapless folk much like us who got through their days not worrying so much about the chattel in the field, but about what was for supper, why the children wouldn’t behave and whether it would rain on the church picnic?

I pretty much get through my life like that – on one hand, worrying about the meteor hurtling toward Earth that will turn us all to dust, and on the other, why I can’t get those rust stains out of the white towels and how much easier life would be if I could find a pair of sandals that were both sexy and sensible, and mystery of mysteries, why I can execute a perfect French twist with a pencil and no mirror when washing last night’s dishes, but on important occasions my hair merely resembles the most rakish of English thatched cottages.

And then I open the newspaper – a compulsion, a hazard of the trade, a duty of the 21st-century citizen – and see the mocking grins of U.S. soldiers parading Iraqi prisoners on leashes, or standing behind pyramids made of human bodies or those forced to simulate sex acts for the camera. The faces of the prisoners are covered, in creepy pointed hoods. We can’t see their expressions, can’t know how much the scenario bothers them or not. If you can’t see faces, then you can’t see emotions, like pain, or fear. That makes it easy, doesn’t it?

And in the news reportage, everyone runs for cover – we did what we were told by our superiors, or we didn’t know that this was happening below us in the ranks, or I’m shocked and appalled that this would happen, or I’m not shocked at all; that’s what war is. We knew or we did not know, we are vile perpetrators of gross acts of torture and humiliation, or we are no worse than those we captured, or we are far better than these lowly scum because they are Iraqis and we are Americans and wasn’t Sept. 11 reason enough for you?

There is an answer in this mess, but we may never know the truth. As Pontius Pilate said to Jesus before washing his hands of blood guilt, “What is truth?” What indeed?

I do not profess to know answers to much of anything. Any rumors of knowledge or power on my part have been greatly exaggerated, and any perceptions that we, the media, have an inside clue are frankly just smoke and mirrors. So in these situations, rather than pontificator or spin-mistress, I become a parent, which is about the best I can offer.

As I tell my children, when someone tells you to do something you know is wrong, you have to have the courage to stand up and say no. Even if everyone else is doing it, if it’s wrong, it’s wrong.

If you are in charge of a project or a team or a committee or a war, and something goes wrong, you are responsible, even if you did not know that thing would go wrong. Fix it; that’s what responsibility is.

And hurting people is not OK. It’s not acceptable to use force to get what you want, to be wantonly cruel to animals or smaller, weaker people to prove a point. Bullying is wrong.

But we know all these things, don’t we? Regardless of your opinion of this war (and guess what? It ain’t over yet, despite the nicely staged announcement several months ago), despite the Vietnam comparisons and the sacrifices being made by our own Alamedans, our reservists, our family members overseas, despite dire pronouncements left and right, the brutal fact is that war is hell. People die who do not deserve to. And terrible, unspeakable things sometimes happen.

As for me, safe in my little house thousands of miles from real danger, I cannot judge those who fight it, or wage it, or win or lose it. But in this particular war, I can’t see redemption. I feel helpless and angry and plagued with guilt over what happens in my name, over how we achieve our goals and how we fail to achieve them. Curse me for a fool, but I’m just wishing we’d spent a little more time talking, or planning, before coming to blows. And I’m hoping that future generations won’t look back on us with the same sense of guilt and shame.

This essay first appeared as a newspaper column in the Alameda Sun in 2005. Modern Muse copyright Julia Park Tracey 2005.