#NoMoWriMo: Why I Stopped Writing My Novel

November 29, 2015|Posted in: authors, book biz, Books, MondayBlogs, NaNoWriMo, novel, Veronika Layne, work, writing

IMG_1252

Ophelia (Fifi) observes with great disdain any human attempts to work.

National Novel Writing Month: NaNoWriMo. It’s a thing.

I’ve participated for several years now, winning a couple of times (winning means writing 50,000 words of dubious merit in 30 days) or not winning sometimes. Since I started writing my “Hot Off the Press” Veronika Layne mystery series, I have found NaNoWriMo to be an excellent way to draft a new book in the series. I’m writing my third Veronika story now, after just launching the second book at an epic release party in early November (see photo below!).

But I didn’t finish the 50K this time (the deadline is today, Nov. 30). Why?

One reason is that force-writing is kind of like making fois gras. It’s awfully hard on the goose as well as the writer. I find myself in a lot of pain from sitting at the desk for hours on end to make my word goals. And  meeting word quotas doesn’t leave any room for days off. If you take a day off (like, say, Thanksgiving), you’re 1600 words behind for the next time you sit down. And 3000 is a lot of words to write out of thin air.

I know some people just sit down and pound out a novel, slap it into CreateSpace and put it up on Amazon the next day. I’m not that person. I know very well that the draft I’m writing will need several revisions, and this is what I consider a fairly light story. I’m not looking to write deep themes, layers of metaphor and complex language. I’m not adding resonance. I’m writing plot-driven action sequences with hot sex and cliff-hangers. But you’d be surprised how difficult it is to write that quickly and well — you can do one or the other but you can’t do both.

You can write quickly or you can write well. Choose one.

Regardless, I know what I want to happen in the new book and I got most of what I wanted down in a rough draft (emphasis on rough). So that’s my second reason. I have most of what I need, and the rest will need to be thought out and added carefully. If I continued writing now, just for the sake of winning, I would be padding just for the sake of adding words. Heck, I could go cut and paste some random nonsense in there just to make the goal. But as it is, of the 40,865 words I wrote on the novel, I know at least 5000 are pure garbage and I want to delete it now. It’s there only for future reference. It almost felt like cheating to leave it in as I headed toward the final stretch this year. And that’s when I knew it was time to stop.

Writing to achieve a word count is not the same as writing to tell a story or convey an idea. It’s like getting high scores on academic achievement tests but being otherwise illiterate. The numbers are not the end result for me. The resulting story should be worth reading, and I assure you, this rough draft is not there yet.

In her classic how-to-write book, Bird by Bird: Some Instructions on Writing and Life, Anne Lamott says to write shitty first drafts. I can say with great pride that I have done just that.

Did you participate in NaNoWriMo, and did you finish? Why or why not? Share in comments.

IMG_1280

Reading from Veronika Layne Has a Nose for News at the launch party. Woody Minor, historian, looks on.

 

 

Facebook Conversations

comments

TAGS:

Julia Park Tracey is an award-winning journalist, author, and blogger. She is the author of "Veronika Layne Gets the Scoop" and "Veronika Layne Has a Nose for News" (rep'd by Booktrope). She is the Poet Laureate of Alameda, California. She's also the conservatrix of The Doris Diaries, the diaries of her great-aunt Doris Bailey Murphy. Her articles have appeared in Thrillist, Quill, Paste, San Francisco Chronicle, and in many magazines; her latest poetry appears in The East Bay Literary review.

3 Comments

  1. ulharper1@gmail.com'

    U.L. Harper
    November 29, 2015

    Leave a Reply

    First off, love the look of the blog. I might contact you to see how to copy it. Secondly, I don’t participate for the same reasons you said. I’m more driven by the production of content rather than word count. With that being said, I do pay close attention to word count because I don’t believe that I have a story that needs over 90k words. I actually like it near 75k to 80k. I just don’t write epics. Hell, most people shouldn’t.

  2. michellemchouinard@gmail.com'

    Michelle
    December 1, 2015

    Leave a Reply

    I’m a firm believer that NaNoWriMo is useful as long as it’s useful, and when/if it’s not, it’s not. If it helps you get words down and make progress, excellent. If what you’re writing is something you can work with later, great; if what you’re writing could be produced by a non-infinite number of monkeys, stop. 🙂

  3. monks.press@gmail.com'

    KARSTENS
    December 11, 2015

    Leave a Reply

    I’m caught somewhere between writing quickly and writing well. I don’t do drafts, I just get an idea and the character carries me through. It’s almost like taking dictation but I don’t hear voices. I seldom get writer’s block – the bags under and over my eyes are evidence that I write ’til I drop. I write short stories and don’t care if anyone reads them – well, maybe I care a little. It’s a lot like painting. Once the masterpiece is competed, I’m through with it. Right now I have two stories afloat 2 and 7 pages – stalled. I open them and they laugh at me. I hate that. But the beginnings are too good to trash them. Pray for me. Light a candle. Set Donald Trump on fire it it helps me move forward.

Leave a Reply


You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*