The Desperate Hours

I spent the weekend running hither and thither, in pursuit of about 20 different things and accomplishing just about one of them. On the horizon we see no fewer than ten bareroot roses, haphazardly leaning in the garden, begging to be planted. We see Mt. Laundry, defying me to conquer its mighty slopes. We consider the state of our sheets (hey, it’s cold, we’re not sweating, nobody in there but me)…(and the cat). We contemplate the dust bunnies — or shall we just call them dust oxen? We see the filth of the commute in dried dribbles of grime on our vehicle; it is only a matter of days before some wicked yet observant child graffitis those dread words on the back window. My office in my new house is a shambles of boxes labeles “Important Papers” and “Office Supplies,” and one doesn’t know where to look for one’s tax documents, for example, or one’s daughter’s birth certificate, and one’s paid bills are in a sliding heap on one’s floor. Not a pretty sight.

The weekends without children seem to hold some incredible promise. It is much like those rare hours of sudden silence when the girls were just babies. In the afternoon, God willing, the baby would fall asleep and the house was silent. The hour or two (unplannable because you never knew how long you had) would open up like a gift, and I would have to decide what I would do to capitalize on the time. And then I would find myself paralyzed by indecision: should I mop the floor? Make phone calls? Run outside for fresh air and some quick yard work? Take a nap myself? Attempt to write?

The desire to write was always there — it was my fondest goal, the one least accomplished when my girls were small. It is because (drumroll, please) You Cannot Force the Muse. The Muse will not be called. Just as you can’t just go out the door and run, you must warm up before you break the four-minute mile, the writer must prime the pump before the novel will flow. I think that takes dedication and practice, and a routine of writing at a certain time of day for as many days as possible. But baby days are not really good writing days; at least, they weren’t for me. I would lay the baby in her crib (and the toddler, too), and want with all my heart to sit at the typewriter or computer or even with a pad of paper and write poetry — but it just wouldn’t come.

Instead, the poems came in the middle of the night, or in the shower, or in the car, or in church, or having sex with my husband — all inopportune times for seizing a pen and beginning to write. And if you wait till the time is proper, the moment is gone, the Muse has fled, and your efforts pallid and limp. And the reality was that I was just too tired to do anything when those rare hours came. I usually just took a nap or read magazines because I was too exhausted to be creative on demand.

That was then; this is now, and now my days are chock full of writing, editing, driving, organizing, and managing all the etceteras of being a working single parent. The visitation schedule is that the kids go visit their dad every two weeks for the weekend, unless of course they don’t want to go, or have a birthday party or sleepover or competition or game. When the kids are home I don’t work on the weekends, meaning I don’t cover politics or events or whatever is happening in town; I’ll just do what I can on the computer or by e-mail around kid and family stuff. I often work most of the weekends when I don’t have kids; I schedule workshops or go to evening performances, etc. because there are no kids to worry about — no complaining that they are bored, no leaving them with babysitters. I try to get most of the odious stuff done on those off weekends when I can do it uninterrupted and save our weekends for fun stuff like movies or visiting with family friends.

So this weekend dawns brimming with promise: I can get the house clean, I can fulfill the demands of my job, I can satisfy the extracurricular activities I have given myself, and yes, I can get going on the novel! I can! I think. I might. I should. I must.

I didn’t. Dust oxen still here. Poor roses still weeping derelict in the garden. Only half a mountain of laundry conquered. Nary a fresh word written on the novel. Or the memoir. Or the other writing projects. But I did organize my office at last. I filed almost everything. I emptied all the boxes and put away all the office supplies. I separated the stuff I need for teaching, for book promotion, for the new lit-zine, and for future projects. I have an in-basket for bills and a place for important papers. And I can see both the floor and the top of the desk.

I did not make it to the symphony. I did not make it to the writer’s group meeting. I did help my eldest daughter with her first-person essay for English 1A, and I did make it to my board meeting Sunday morning. I haven’t written a word, but at least the slate is clean, the palate cleared. Now, with a little organization at my fingertips, I am ready to roll.

Query: will I?

The Artist’s Way…

…I was thinking about American Idol on the way home, actually looking forward to watching it, because I enjoy music and hearing a good singer is a pleasure not to be denied. There is perhaps a bit of schadenfreude in the watching of it, but that’s as far as my reality TV viewing goes. I like watching American Idol and hearing these people get honest critiques. Especially in the audition portion. I have to agree with host Simon Cowell when he tells these people they cannot sing. Truly, they can’t.

I’m not a bad singer myself, you know. I can carry a tune, easily mark out a harmony and find the note. Frankly, I never trained; I just have a pretty good ear. It is what allows me to play the piano in a rudimentary way; I don’t take lessons, I am bad at reading the music, but I know when I am right and when it’s wrong. I would never pass myself off as being any kind of musician, though, nor singer. My eldest calls my piano-playing “plinking,” because that’s about it — I can plink out a few tunes and follow the notes enough to play some very short and simple pieces. I like to sing. I am not bad in the car and used to be awesome in the shower. But guess what, folks — that’s as far as it goes. American Idol I am not.

Advice to writers, singers, artists of any sort: Know your strengths. Know your weaknesses. Work at it to improve your craft, but please, please, do not suffer from the hubris of the stage or the printed page. If you are not good, there is no hiding it. Simon said, “There is no underestimating the self-delusion of the American people when it comes to their own singing voices.” I could say the same for some writers, too.

I used to be the publicist for a large, well-loved theater in the Bay Area. They put on three summer musicals per year and I would go every April to watch auditions. The director was an elderly gentleman who had performed on Broadway and had been directing forever. He was — and still is — an amazing talent. He could hear a couple of bars of a song and that was enough; he could hear everything he needed in just that. This gentleman made the “cruel” Simon Cowell look like Mr. Nice Guy. The thing is, onstage, you either have it or you don’t. Auditions are brutal, and if you can’t take it, you won’t make it. I would sit there and listen to these talented singers perform a verse from some Broadway show, and either it was a great pleasure or it was painful. And he would cut them off and say, “Thank you,” and move on to the next. It’s a cutthroat business, and you’ve got to be really good, and a little different, too. Gotta stand out in some way, and be really skilled to boot. Much like writing, to which I will return in a moment.

Watching American Idol auditions reminded me of the April theater auditions — these seasoned performers with their patience wearing thin, and so many wannabes turning up to try to get discovered — shoom, sent on their way with no ceremony, no politesse. Just adios, amigo, and on we go to the next contestant.

I think writing is like that. Try to get yourself an agent, or a few minutes with the editor of whatever journal or zine or publication that you want to get into, and believe me, friend, your song and dance number had better be polished; it had better shine. In other words, your entree — your cover letter, your query, your opening lines — had better be the best thing you’ve ever written, or it will not be read. And you will not be published.

Case in point: Recently I received a request from a would-be writer who wanted to write for the newspaper. His offerings included no newspaper writing, but rather a poem (a fairly frightening example — an ode to water), a critical paper dissecting a beloved poem, and a cover letter. The first problem? Typos in the cover letter. Try using capital letters when you begin a sentence, for one thing, sweetie, and try using this neat thing we call a period. Oh, and commas — they’re very useful, too. The applicant had apparently no knowledge of these useful tools, and no, friends, it wasn’t because he was going for an e.e. cummings sort of deal.

Further note to aspiring writers: You can break the rules if you know you are breaking them. If you don’t know the rules and are merely lazy or illiterate, don’t expect any assistance from those of us who work in the field for a living. It is hard to be impressed by your sloth and ignorance.

Furthermore, in re the aspiring applicant, his critique was not well written and he called the poem “The Ancient Mariner,” rather than by its correct name, “The Rime of the Ancient Mariner,” throughout. Hmm. So you want to write for a newspaper, which demands well-crafted articles and accuracy as cornerstones of its success. And your clips are sloppy and inaccurate? Hmm. Even a piddly little weekly like mine (and I say that fondly, not disparagingly) needs the best we can get, not whatever dregs fall through the mail slot. So, adios, amigo.

Back to writing: Aspiring Writers, all, please heed my advice. You can improve. You may not be perfect now (none of us started out perfect, and guess what? None of us are perfect yet.) but you will improve if you take the advice of more seasoned writers to heart. Please, proofread your work before you send it out, and get someone else to help you if you aren’t good at catching those errors. Know your weaknesses; with care, they can be overcome.

Alas, my pleas will fall on deaf ears. Simon’s did. He and his cohorts were forced to sit through a cross-country tour of baaaaad singing. If you watch this sort of show, or Star Search, or whatever, think back to your writing and, better yet, turn off the telly and go apply your ass to the chair at the desk. It will be time better spent.

More on this topic later.

Fast Lane…

…Wow, I hadn’t realized how far behind I would be by missing an entire week of work. From Sunday to Sunday I was home sick and came back to 93 e-mail messages on one account, 85 on the other. Plus snail mail, memos, inbox, yikes! Crazy days, but I’m getting back into it. Although it was blissful not to have to drive to work every day, I was too sick to make use of my home time. Instead, though, I did have many clever thoughts (along with some psycho-lurid dreams, courtesy of the flu, eek!). And among those thoughts is the necessity to get a new computer, plus a brilliant idea for a collection of short stories with Jane Austen as the unifying theme.

Now, if only I had the time to write them…

On the Mend…

At least, I hope so. Being ill is never much fun. Especially when one’s workmates can’t live without one. One drags oneself to the computer (damn and blast the e-mail!) and thinks with a few keystrokes the duty will be done. But no, there is more to say and do, and one finds oneself chained to the computer at home, as if in one’s very office! And one hacks and snuffles one’s way through the day, unable to take one’s medicine which would put one blissfully to sleep or at least stop the postnasal drip, because one must needs get on with helping the poor folk in the office. One feels guilty for having had the nerve to become ill, for having had the bad grace to take in the wrong germs and catch cold, and one gets the distinct feeling that one’s officemates think one is shirking one’s duty by not making one’s appearance in the workplace.

Alas! It is all true — I have been ill, I have been working from home, I have not been shirking much, and I have been coughing and sneezing all over my keyboard. Alas for my children, who have now suffered at least three nights of freezer food — French fries! Chicken patties! Frozen burritos! My mother has driven my children to school. My children have done my chores. Only the cat has fared well, having had me to sleep upon instead of the cold armchair. And the Kleenex company, they have done well, as I shred my way through my third box of tissues in as many days.

Illness does not do the body any good. One sees oneself in the mirror and thinks, ick. What a tired old sack I have become in just three days. But there is hope, because the sinuses begin to drain and the sniffles begin to subside, and I should be well in time for the weekend, or at the latest, Monday, when another jolly round of newspaper awaits me at the office.

Can’t help but be grateful when health returns. I’m hoping in the next few days — if I feel up to it — to organize my office at long last, and to get going on a number of tasks. I hope to get started on some bigger writing projects — some chapters for the memoir that this blog is purported to become. Ah, well, we shall see.

Note to Aspiring Writers and anyone who has a cold: Read lots of good books while you can. The real world intrudes again soon enough.